Georges Mazilu – Chevalier
Dimensions: 22 x 30″ unframed
Medium: acrylic and gouache on paper
Mazilu’s work reveals an attentiveness to the human form achieved through his many years of classical training, seen in the delicate lines distinguishing bull from rider and through his careful shading. Mazilu’s painting has drawing-like qualities, suggested through a limited color palette and painterly technique that mimics charcoal or pastel. Despite the arrow lodged in the bull’s rear, both characters appear unconcerned, continuing on a journey defined only by the painted moment, rather than by an understanding of beginning and end.
While Georges Mazilu’s oeuvre often focuses on the human form—despite his characters’ unusual proportions and physical compositions—his works begin as loose abstractions that gain recognizability through process. Mazilu describes his paintings as mapping the transition from unconscious to conscious processing and often navigate the tension between his ‘will’ and ‘possibilities’. Mazilu was born in Romania and quickly developed an affinity for producing art, eventually pursuing formal training at the prestigious Grigorescu Institute of Fine Arts. After following what might be considered a classical education, Mazilu’s work began to develop a contemporary edge as it encountered the swell of modern art. Mazilu’s works often combine realism with the absurd and touch on the styles of canonical surrealist artists like Hieronymus Bosch or Salvador Dali. Mazilu’s paintings employ muted color palettes and simple backgrounds, drawing viewers’ attention to his carefully rendered characters posing in formal portraiture style or displaying less-than-human behavior.