Orlando Leyba – Perico Zumbido y Mastodonte

$9,500

In stock

Artwork Description

Perico Zumbido y Mastodonte

Dimensions: 47 x 60″
Year: 2016
Media: mixed media and diamond dust on panel

In his mixed media and diamond dust on panel work, Perico Zumbido y Mastodonte, Orlando Leyba uses the organic nature of many of his forms to draw attention to his strong use of horizontal elements. Rather than being considered separate entities, the two instead establish a sensation of equilibrium, where the linear interacts with rather than counteracts the natural. While the predominant color palette within the work is cool, Leyba interjects complementary detailing in yellow and warmer tones, allowing viewers to read his artistic as one of compilation.  

Orlando Leyba’s works oscillate between the abstract and the representational; while free floating and formless, the detailing in his pieces—which demands a degree of intimacy to appreciate—stands in for a wide array of Leyba’s experiences, emotions, and physical encounters. Ranging from custom lowrider cars to petroglyphs, Leyba’s affinity for incorporating found objects and ideas in his work and ability to juxtapose the corporeal with the immaterial, the whimsical with the familiar, introduces a profoundly psychological insight into Leyba’s past and present life as an artist. As a high school student, Leyba describes that he and his classmates would often break into abandoned buildings in search for materials to use in their work. While Leyba’s present practices might now be considered more conventional, he continues to use ideological manifestations of what was once a process of physical collection—incorporating checker patterns reminiscent of his grandparent’s floor, collage materials, and distorted textual elements in a manner not too different from tearing wallpaper from forgotten walls. To Leyba, his works are inherently topographical and interconnected; they interact with one another rather than stand alone and represent “little pieces of land”, a concept ingrained in him from the time spent working on his parent’s property in northern New Mexico as a child.