Julie Beal writes a great and interesting review of Wanxin’s work in the context of his solo Ten-Year Survey at the Bellevue Arts Museum. Julie digs deep in Wanxin’s Chinese-American-ness, connecting work by great American sculptors like Robert Arneson with the Qin terracotta warriors. Eloquent discourse on the contrapuntal forces in Wanxin’s work–individual figures in the context of a collective–make this article a great read. Kudos! A link to the article is here.