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November 1 – 22, 2016 | Igor Melnikov and Edward Lentsch: Expansion Theory

November 1 – 22, 2016 | Igor Melnikov and Edward Lentsch: Expansion Theory

by | Oct 15, 2016 | Past Exhibitions – Igor Melnikov, Past Exhibitions – Edward Lentsch, Past Exhibitions Old Years, Exhibitions, Igor Melnikov, Edward Lentsch, Front Slide Show

Igor Melnikov’s and Edward Lentsch’s paintings share an ability to speak directly to the human psyche. Melnikov places the human child in his otherwise minimal paintings, with blessings scrawled in undecipherable Russian on the frames that surround and protect them.... Read More
October 4 – 25, 2016 | Orlando Leyba and Walter Robinson: Symbol Pleasures

October 4 – 25, 2016 | Orlando Leyba and Walter Robinson: Symbol Pleasures

by | Oct 4, 2016 | Past Exhibitions – Walter Robinson, Past Exhibitions – Orlando Leyba, Past Exhibitions Old Years, Exhibitions

Squeak Carnwath, Walter Robinson, and Orlando Leyba all create abstract works of art that employ highly personalized symbolism. Yet, each of these artists has massive appeal in the art world at large. Their works are included in such impressive collections as The... Read More
August 23 – September 13, 2016 | Georges Mazilu and Mavis McClure: Morphy’s Law

August 23 – September 13, 2016 | Georges Mazilu and Mavis McClure: Morphy’s Law

by | Aug 22, 2016 | Past Exhibitions – Mavis McClure, Past Exhibitions Old Years, Past Exhibitions – Georges Mazilu, Exhibitions, Mavis McClure, Georges Mazilu

With the earthiness of clay, and the stylings of the old master palette both artists in this exhibition present explorations of the human and animal forms. Hands on, from the Earth, yet changed. Opening Reception Friday, August 26, 2016 from 5 to 7pm [n.b. that this... Read More
July 19 – August 9, 2016 | Drew Tal and Karen Yank: Circumspect

July 19 – August 9, 2016 | Drew Tal and Karen Yank: Circumspect

by | Jul 19, 2016 | Past Exhibitions Old Years, Past Exhibitions – Drew Tal, Past Exhibitions – Karen Yank, Exhibitions, Karen Yank, Drew Tal

Agnes Martin once told Karen Yank that the “circle is too expansive” as an art form. Karen later said it was perfect shape for her, because she could control it; because she understood its implications. In the same way Drew Tal uses the gaze on the circle of the face... Read More