Artwork Description
Hung Liu – The Seasons
Dimensions: 41 x 41″ unframed
Year: 2021
Medium: mixed media on panel
Hung Liu’s The Seasons is based on Stephen Foster’s poem of the same name:
Gone are the days when my heart was young and gay,
Gone are my friends from the cotton fields away,
Gone from the earth to a better land I know,
I hear their gentle voices calling “Old Black Joe.”
I’m coming, I’m coming, for my head is bending low:
I hear those gentle voices calling, “Old Black Joe.”
Why do I weep when my heart should feel no pain
Why do I sigh that my friends come not again,
Grieving for forms Now departed long a go?
I hear their gentle voices calling “Old Black Joe.”
I’m coming, I’m coming, for my head is bending low:
I hear those gentle voices calling, “Old Black Joe.”
Where are the hearts once so happy and so free?
The children so dear that I held upon my knee,
Gone to the shore where my soul has longed to go.
I hear their gentle voices calling “Old Black Joe.”
I’m coming, I’m coming, for my head is bending low:
I hear those gentle voices calling, “Old Black Joe.”
Part of Liu’s American series of works, the image shows the dignity and resilience of human beings during one of the most difficult times in American history.
Hung Liu developed a unique method of creating her mixed media works in which she places layers of resin, paint, and metal leaf on panel. This process creates the impression of great depth in her works, as well as a sheen reminiscent of Chinese porcelain. The inspiration for this technique came from her public art installation at the Oakland Airport, titled “Going Away, Coming Home,” where she had the opportunity to paint on glass. She loved the way the sunlight emanated through the translucent layers of paint. This led her to seek the same luminescence in other of her works. These mixed media resin works could be described as illuminated paintings, for multiple reasons. One reason is the fact that these mixed media resin works begin with metal leaf (often gold) on panel, in the same manner as a Russian icon would be painted. The gold represents the sanctity of the subject; a covering of the natural world (represented by the wooden panel’s surface) with the sacred and pure. Another reason these works can be regarded as “illuminated” is the obvious implication of light emanating from within them as light bounces off the base layer of metal leaf and reflects back through the layers of paint.
Hung Liu’s mixed media resin works are included in numerous important museums throughout the world; among them the San Jose Museum of Art and the Jordan Schnitzer Museum of Art, which boasts the largest collection of these works and is curating a comprehensive exhibition and book documenting them. Hung Liu is honored that one of these works was included in the major exhibition “Gold” featuring important artworks throughout the history of art that have included gold leaf, at the Belvedere Museum in Vienna, Austria.