Judy Chicago – Georgia O’Keeffe Test Plate #2
Dimensions: 15 x 15 x 5″
Medium: glazed porcelain
Judy Chicago’s original concept for “The Dinner Party” was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in three ways; a monumental work of art, a book, and a film. The work of art, that was eventually housed at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, includes ceremonial table settings representing 39 important historical female figures; including this place setting for the iconic artist, Georgia O’Keeffe.
Chicago is a pioneer of feminist art. Since the early 1970s, Judy Chicago has advocated for issues of women’s liberation and independence through diverse media including paintings, drawings, sculptures, and collaborative installations. Her iconic work “The Dinner Party,” (1974—1979), which is now permanently installed in the Brooklyn Museum of Art’s Elizabeth A. Sackler Center for Feminist Art, is widely regarded as one of the most influential works of feminist art. With Miriam Schapiro, Chicago co-founded the Feminist Art Program at the California Institute of the Arts—the first program of its kind—and collaborated on the formative installation Womanhouse (1972). More recently, Chicago has expanded upon her efforts in gender politics, focusing on broader social issues. Her work has been exhibited extensively at venues such as the Los Angeles Museum of Contemporary Art, the New Museum, the Centre Pompidou, the Whitney Museum, and the Jewish Museum in New York.
Judy Chicago speaks of her work as “trying to infuse women and women’s history with a sense of the sacred and the valuable, because there are all these things associated with women that have been devalued: our bodies, our crafts, our history,” continuing on to say she “tried to bring the same thing to bear on [her] work.”