Dimensions: 38.63 x 40.63″
Media: encaustic on panel
Unlike the other pieces within the collection, Raphaëlle Goethals’ encaustic on panel work, Alfa Blue, employs a stronger use of color—also suggested by the use of the word “Alpha” in the work’s title. Goethals layers numerous shades of slate and pale blue throughout the work, which stands in contrast with the warmer tones of the dots that comprise a loose grid. Blue, often associated with serene emotions, might also reference mood—allowing viewers to determine whether this is experienced by the artist or by those viewing the work. Alfa Blue also captures the tension between a sense of tranquility conveyed by the dominating white glaze and the turbulence introduced by the visible layers beneath.
Raphaëlle Goethals is a self-described bicultural artist, who grew up in Belgium and left for the United States to pursue her artistic career in Los Angeles—culminating in her move to New Mexico where she has lived and produced work for the past twenty years. Due to her upbringing in an environment riddled with the artistic successes of Flemish Renaissance Artists and more contemporary individuals such as René Magritte, Goethals work often draws on this rich history, emphasizing a sense of process and creation in conjunction with art historical elements. Her work is best described as abstract, where Goethals gradually builds up detailed surfaces through layering wax and resin, incorporating elements from the present through each additional layer and the past by manipulating new layers to reveal the textures beneath. Goethals’ work redefines traditional ideas surrounding language and time and serves as a personal adaptation of a landscape, where her pieces visually explore the human mind rather than a geographical region. Goethals challenges viewers to limit the scope of information they take in and are frequently bombarded with by observing pieces that are reductive in nature and free viewers from external distractions.
by Keira Seidenberg