In conjunction with the opening of Santa Fe’s new contemporary art museum, New Mexico Museum of Art Vladem Contemporary, Turner Carroll will host an exhibition of New Mexico artists. This celebration of the talents of our region will include Jamie Brunson, Walter...
September 2 – October 2, 2022 | Karen Yank: Between Aspiration and Reality
Karen Yank: Between Aspiration and Reality, September 2 – October 2, 2022 Opening Reception Friday, September 2, 5–7pm The circle and the cross appear thematically throughout Karen Yank’s practice. Circles can be the center of a flower, the face of a clock, a...
March 5 – April 30, 2021 | Renegades
The exhibition is available on our site here. The 3rd in a series of exhibitions treating the role women have played in art history. Opens March 5, 2021 at Turner Carroll Gallery. Titled “Renegades,” the exhibition follows two previous exhibitions titled “Can’t Lock...
“Karen Yank and Agnes Martin” in the Albuquerque Journal
We received a great review for this exhibition. In the October 7, 2018 edition of the Albuquerque Journal, Wesley Pulkka writes “For Yank the iconic show emblemizes the end of the beginning of her career that really took off in 1987 when Yank met Martin at the...
September 21 – October 15, 2018 | Karen Yank and Agnes Martin
September 21 – October 15, 2018 Opening Reception Friday, September 21, 5-7pm This exhibition is extremely significant and personal. Simultaneous with an upcoming book project on Agnes Martin’s artistic and life philosophy, titled Travels with Agnes, Yank...
Karen Yank Monumental Sculpture Installation at CNM, Albuquerque, New Mexico
Dedication Ceremony October 10, 2017 3:00-3:30 p.m. West of Student Resource Center (SRC) Lecture & Reception (Comments by Art Historians Tonya Turner Carroll and Wesley Pulkka) October 10, 2017 5:30 – 7:30 p.m. Jeanette Stromberg Library, SRC “Growing...
July 19 – August 9, 2016 | Drew Tal and Karen Yank: Circumspect
Agnes Martin once told Karen Yank that the “circle is too expansive” as an art form. Karen later said it was perfect shape for her, because she could control it; because she understood its implications. In the same way Drew Tal uses the gaze on the circle of the face...
